LAST WEEK, THE Telegraph printed a piece by novelist Amanda Craig pondering whether a woman’s ability to produce offspring was, in fact, the font of perfect understanding of the human condition.
The fact that the hook used to sell this rather daft premise was the childlessness of recently deceased author Maeve Binchy took the thing to rather spectacular levels of tactlessness, but the argument itself is one that makes me want to bang my head off the keyboard. While I’m not for one moment suggesting that Amanda Craig is representative of all maternal thinking, her argument is one that’s depressingly familiar, and as a woman who’s hit 40 without child-shaped appendages it’s one I’ve heard in various incarnations way too often and every time I hear it it seriously pisses me off.
It’s a big subject but the first and foremost thing is that, as a writer, I don’t see myself particularly as male or female. The writer is a puppet master, inhabiting the head of every character. It doesn’t matter if they’re barren or fertile, male or female, sweet or rotten to the core. It’s my job to understand each one of them, what makes them tick, why they do what they do. Walking in their shoes, seeing through their eyes is in the job description. Some of the characters will have jobs I’ve done, go to places I’ve been, feel emotions I’ve felt, but everything else is extrapolation.
I try to have experienced as much of my characters’ lives as possible but there’s a limit. I’ll never be a man. I’ll never kill someone (I presume). I can think of dozens of things my characters will do that I simply won’t be able to. But that doesn’t mean I won’t know how they feel when they do those things. If I can’t imagine it, then I’ll find someone who’s done it. That’s my job.
‘Sealed bubble’
It’s the same job for a male writer. The Telegraph piece is only concerned with the female authors who haven’t given birth. The vast body of literature produced by the opposite sex, none of whom have managed to personally drop a sprog, is completely ignored. The piece is written with the assumption that the words written by women exist in a hermetically sealed bubble. That there are men’s books and women’s books and never the ‘twain shall meet. It’s assumed that the fairer sex need their own playing field, that our minds need the same sporting considerations as our bodies.
I’ve never fully understood why there always need to be men’s and women’s versions of every sporting event anyway but I’m damn sure that such precautions aren’t necessary when it comes to the intellect. It reminds me of an old theatre anecdote about the old stage actor confronted with a young co-star who favours method acting. The youngster ties himself in knots fully understanding his characters motivation while the old stalwart insists that the only thing necessary is to know your lines and try not to bump into the furniture. It’s acting, not being.
I’ll freely admit to being more than a little method when it comes to understanding my characters but that only goes as far as I need to to understand. I don’t need to live their lives. That way insanity lies.
Maternal smugness
But apart from underestimating the writer’s skill and insulting the whole of the female sex with the assumption that our words are not equal to men’s, Amanda Craig is guilty of the kind of maternal smugness that generally brings me out in a rash. As women we’re told from a very young age that babies are an integral part of the female experience. As little girls, we’re given baby dolls to nurture – then when we get older we’re told that we will only be a true success when we have found that elusive balance between being a woman and being a mother.
In Ireland in particular, with a booming birth rate, there’s little enough debate about women who might not want to have children. We talk ad nauseam about raising a family, and there’s huge sympathy with the one in six who will struggle to start the family, but you rarely hear from people of either sex who simply prefer to live their lives child free.
In the spirit of full disclosure, I didn’t mean to get to this stage in my life without children but that’s the way it’s happened. I do know the pain of not being able to conceive but ultimately felt that I couldn’t face being reduced to a breeding machine in order to have a child. I was scared by baby dolls when I was little. My imagined perfect life never really had a cradle in it. I never really got on with small children.
That might have changed, and one day I’d like nothing more than to give a home to a child but it never was and never will be the way I define myself. That perfect future that I dreamed up when I was a kid might not have had a cradle but it did have a desk, with a vase of flowers, a steaming mug of coffee and a typewriter. That hasn’t changed.
Abigail Rieley is an author and journalist who has written two books about recent murder trials, Devil In The Red Dress and Death On The Hill, and also covers trials for the Sunday Independent. She blogs at abigailrieley.com. See facebook.com/abigailrieleywriter.
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