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Dublin: 12 °C Friday 24 May, 2013

Column: A response to Sean Sherlock’s Drivetime interview on #SOPAIreland

Paul Quigley, founder of news story-tracking website Newswhip, analyses the arguments made by the junior minister yesterday in favour of a new online copyright law.

Paul Quigley

AS YOU’VE PROBABLY heard by now, Junior Minister for Innovation Sean Sherlock is due to sign a Statutory Instrument that could potentially enable copyright holders (like music labels, or even you or I) to force Internet Service Providers (ISPs, like UPC or Eircom) to block access to websites with copyright-infringing content (i.e. much of the internet).

Over the past few weeks, but especially in recent days, awareness of and opposition to this proposed law has grown immensely. The campaign stopsopaIreland.com has collected over 30,000 signatures, and hundreds (possibly thousands) of emails, calls and other communications have been made to Mr Sherlock and other TDs. A vigorous online opposition to the law has developed.

I listened to RTE Radio 1 on Tuesday, when Sean Sherlock spoke to Mary Wilson, defending the new law. His justifications for the new law - summarised here – should be addressed, so this debate can move forward without the same sound bites being trotted out again. So here they are, with responses.

This is not SOPA-type legislation

Respectfully, what is it, then? This is a law that enables copyright enforcers to use courts to force ISPs to block access to sites. Though it does not have all the features of SOPA (or PIPA) in the US, it has major similarities. Of course, this could be cleared up if the government would make public the exact wording of the proposed law. One of the most worrying things in this whole debate is that they won’t.

“This is a restatement that we held was already present in Irish law”

As a matter of pure logic, changing the law to a “restatement” – whatever you always thought it should be – is still changing the law. The right to force ISPs to block access to particular sites is not presently the law, as Justice Charlton held in EMI v. UPC, the case that seems to have led to this furore. Specifically, he said “a blocking injunction is not available in Irish law”.

To be fair, I believe Mr Sherlock means that the government thinks copyright holders should have a right to block access to ISPs. But when did this become their position? Was it in the Labour programme for government? Is the party unified on this? (With Fine Gael in agreement?)

This is required by the EU E-Commerce Directive

The government is taking the position that this change is something Ireland must do to do to be EU law-compliant, under the e-commerce directive, a (by now aging) piece of Euro-legislation. This is at least possible. Though it’s also possible that those laws have been supervened. The law on the subject is in a “state of chassis”, as Joxer would say.

Importantly, no European Court has held Ireland in breach of its obligations under the e-commerce directive. Neither has the European Commission, TJ McIntyre notes in his helpful FAQ. So why bother make this law that might or might not solve a problem that might or might not exist?

I wonder if anyone in the cabinet has read EMI v. UPC in full? Here it is. As as side note to that generally interesting (if long!) decision, I’d worry that the facts accepted by Judge Charlton about the scale and effects of piracy in this decision are based almost entirely on unchallenged evidence by music executives.

It’s “just not true” that this legislation could block Youtube, Google, etc.

Mr Sherlock says Irish internet users have no reason to worry about this legislation interrupting our ordinarily scheduled internet programming. But why not? If Youtube has copyrighted material without permission, presumably an injunction could be issued to Universal Music, or you, or I, or any other copyright holder who wishes to force ISPs to block access to Youtube. Unless Mr Sherlock has made an exception specifically for Youtube. Which of course would not be a good solution, because thousands of other sites would have similar problems.

The Irish internet is not comfortable with Mr Sherlock’s assurances on this one. The Stop SOPA Ireland campaign rumbles on, with tens of thousands of signatures gathered.

Hang on, what about the music makers and movie makers?

Why does the government need to trot out all these legatistical reasons for the new law anyway? What about the people it’s supposed to protect?

I don’t mean EMI or Warner. As I said in my earlier post on this, legacy copyright businesses built around marketing and distributing records are now naturally and permanently in decline. The market for music has opened up, and the world has moved on. To make laws focused on preserving their market share would be like outlawing cars to save horses.

Meanwhile, music discovery and distribution is increasingly online and social, and artists are finding new ways of reaching their audiences without a record company (eg Radiohead (website), Lana Del Ray (Youtube), the RubberBandits (Facebook).

Having said that, the StopSOPAIreland lobby should think about the thousands of smaller people who make a living in music, or writing, or other creative art forms today. They deserve protection. What would they like to see happen?

Many artists find Youtube more a friend than enemy. They can reach millions with their art or music without ever impressing a music executive gatekeeper. Great stuff gets clicks, eyeballs, and ears, which can be monetized, especially with Youtube opening up ad-revenue sharing deals.

Getting the Stakeholders Right

The StopSOPA lobby should appreciate the difficulty of Mr Sherlock’s position, with EMI suing the Irish state to force it to pass a SOPA law, and the possibility of all this being smacked down by the pretty awful ACTA treaty.

Perhaps this whole controversy might arise from a simple misunderstanding of who the real stakeholders are. This isn’t just between UPC and EMI. Copyright exists to encourage and enable creation of artistic and other creative work for the good of society.

So a final message for Mr Sherlock: The real stakeholders here are the creators – musicians and other real creatives who might need protection (though you should ask them), internet-based companies (who don’t want to be hit on the head with injunctions), and ordinary internet users (who like their internet). These are the people the government needs to consult with in developing this law, not just Eircom and EMI.

Paul Quigley is co-founder of Newship.com

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Comments (38 Comments)

  • Well said Paul. Unbelievable that Sherlock could do this.

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  • There’s something seriously wrong if the government tells us we can’t see the wording of the proposed law in just the same way it won’t tell us who’s getting our money!
    Now I have a serious question, how can we get these people out of government? I don’t want any bullshit off the topic replies, just plain fact

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  • How are eircom legally able to block the pirate bay as they currently do ?

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  • Every competent internet user can see just how damaging this is.
    How can we allow someone with such an ill-informed and idiotic opinion into the uppers of politics?

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    • Go to your standard uni, Trinity or UCC etc. Check out the membership of the various clubs societies for the political parties there. Generally they’re staffed by complete gimps with no real experience of living. They start off as county councillers and fix village pumps. They graduate to ensuring students get their grants or so and so gets a medical card. Then they get elected and start making laws telling us adults what we can and can’t look at, put in our bodies, choose what to drink. They kow tow to Goldman Sachs. In the recent past, they’ve had fat middle agfed alcholics in the media who’ll write up articles telling us how great they are. We’re only waking up now but it’s too late.We’re ruled by a plutocracy of stupid frat boys who call the shots.Next, we’ll see a lovely fireworks display taking place over the skies of Iran. BNecvause they’ve nukes, and are a danger to us all. So say the Israelis and the U.S…

      Reply
  • made 25/01/12 #

    My god this is insane, is there anything that this government can’t fuck up. There are absolutely and utterly useless for the people, protect the big boys as usual- typical of this government although they shouldn’t be called a government because they’re not governing.

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  • Hey sherlock. Listen you rehab. The people dont want this. Listen to your electorate for once.

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  • I’ve said my fill on an earlier related article. But with the original argument for this legislation being a reduction in CD sales, I’d like to simply state that I fear that the current Government does not understand nor appreciate enough the Irish IT sector to sneak such a law change under the radar nevermind make this decision by themselves without consulting the leading Multinationals in the online services sector.

    And if I don’t have trust, you can be damned well sure that companies and investors will not. We stand by our low Corporate tax zealously to protect Multinational companies’ trust that it will be never touched, it’s a pity the Government doesn’t realise how much more infinitely dangerous it is to companies like Google and Facebook to treat online copyright law with such ambiguity, shady application, ignorance and disrespect!

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  • The record industry are no more than leeches that profit from the blood, sweat and tears of their artists. They stifle creativity (placing restrictions on artists output based on their “market research”), and they don’t even give the artist a fair deal.
    When they came offering this woman a contract she did the sane thing – she read it rather than falling to her knees and signing the dotted line. She saw that the contract was akin to selling herself into slavery, and it just wasn’t her style.. So she gave them the finger, registered a company name and rented a PO Box and sold tapes of her and guitar recorded onto cassettes at her gigs, until she had made enough to afford studio time, it kinda snowballed from there.. Now she has her label, over 20 studio albums (UNCENSORED), several artists signed to her label (and getting a fair deal!), fans all over the world, a venue and their own recording studio (and their offices and label & merch staff), she’s even sold out Carnegie Hall all on her lonesome..
    She’s written a few songs about her feelings for the industry, this being my favourite.. She wouldn’t mind me sharing, as it says on all her labels releases: “unauthorised duplication, while often necessary, is never as good as the real thing”
    Ani – THE Righteous Babe
    http://www.youtube.com/watch?v=P8giuKr-ebI&feature=youtube_gdata_player

    You don’t see artist owned indie labels like this going after their copyright.. Guess its just the greedy middle men who stand to benefit from these rules, not the CREATORS of the intellectual property they are profiteering from.

    Reply
    • Artist owned indie labels don’t have the deep pockets to enforce their copyright. Like the author says “the StopSOPAIreland lobby should think about the thousands of smaller people who make a living in music, or writing, or other creative art forms today. They deserve protection. What would they like to see happen?”

      The smaller people do deserve and NEED some kind of legal protection as I’ve been trying say over the past few days.

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    • Agreed Ryan, the artists and creators of the intellectual property deserve better treatment. And this isn’t doing anything to help them. We should be asking the little guy what they think as they’re the ones likely to be hardest hit, but the majority of them are quite happy to be heard and make money playing shows..

      All bands know that’s the only way to make money.. That’s wrong, they should be the ones benefiting from their work, not “an army of suits” as Ani put it..
      “…And the music industry mafia is pimping girl power
      Sniping sharp shooter singles from their styrofoam towers,
      And hip hop is tied up in the back room with a logo stuffed in its mouth
      Cus the masters tools will never dismantle the masters house…”
      (Serpentine – Ani)

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  • Beyond everything else, Sherlock has an incredibly annoying head

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  • Great article by the way!

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  • Sherlock should at most resign for his shambolic lapse in judgement or at least apologise to the Irish Government and the Irish people for bringing the wrath of Anonymous down upon us

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  • random 25/01/12 #

    Niiiicely put. Especially the part about who the stakeholders are in this issue. All these stakeholders need to be satisfied by any solution to the “problem” of the internet’s ability to transfer large amounts of copyrighted material around the world without permission and at virtually no cost. Forcing uninvolved third parties (ISPs) to block access to sites is simply unacceptable, not to mention futile. Copyright law has become more permissive and flexible in the past in response to changing technology, and I don’t doubt that that will ultimately be the case again. Because as Cory Doctorow is fond of saying, it is never going to become more difficult to copy stuff.

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  • Sherlock is a clown. As junior minister for innovation he should be trying to encourage web based innovation and communication, not censor it…..well we all know here that he is only doing what he has been told to do, but you get my drift.

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  • “I’d worry that the facts accepted by Judge Charlton about the scale and effects of piracy in this decision are based almost entirely on unchallenged evidence by music executives.”

    +1

    Entirely true. The Irish music industry is harping on about a 50% reduction in “CD” sales! How about they open their eyes and realise that people don’t buy CDs anymore. They get their music through legal alternative means.

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  • This is crap

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  • A far better course of action than Anonymous DDoSing will be a boycott of EMI and IRMA distributed music.

    A plummet CDs/DVDs sales will soon sort out those pesky lobbyists against our civil liberties.
    Show them that no amount of repression of our internet access will raise their profits. Greedy sheisters

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  • Nice article.

    To make laws focused on preserving their market share would be like outlawing cars to save horses.

    I am almost sure that they did at the time. Every major shift in a industry involves the cash rich old guard lobbying against the new innovations and innovators in the space. Happens every time.

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  • He should just listen to what the experts in this field say. They likes of Boards.ie, Google, the public etc. I really doubt he and his department really has the expertise. Copyright has to be dealt with, but freedom on the internet is far more important.

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  • If this is the most “innovative” idea Sherlock can come up with, he doesn’t deserve to have that job title.

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  • This Government is doing what their EU masters are telling what to do.

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  • ‘The market for music has opened up, and the world has moved on. To make laws focused on preserving their market share would be like outlawing cars to save horses.’

    No, no it’s not. That would be nothing like it. Did you read that before you wrote it? That’s like something angry drunk people might say when debating this topic, then immediately apologise because the inanity of what they said is too massive for even a litre of vodka to smother.

    I’m not going to talk about this law because I don’t know the particulars yet. But the fact fact that you had to refer to a ‘naturally failing industry’ that is obviously rather naturally changing but failing by the deliberate actions of you, me and others who steal music and media. Now consumption volumes have changed to the point I would have to be earning well over a hundred grand to feasibly support this habit so the industry will CHANGE naturally.

    However making nonsense arguments that have to be propped up by intensely weak argumentation will always present you as someone finding reasons to support a view, not finding a view to support the reasoning. It denigrates your surrounding points and is the point where I stopped caring about this article.

    #assholerantover

    Reply

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